@allisonoverpeck.art
www.allisonoverpeck.com
Allison Overpeck (born 1997 in Waco, Texas) is a multidisciplinary installation artist whose work explores themes of spirituality, mystery, and materiality. After graduating from Baylor University in 2020 with a Bachelor of Fine Arts in Studio Art with a concentration in painting, she established a studio practice in the Blue Ridge Mountains outside of Boone, North Carolina. In 2021, she relocated to Portland, Maine, to study at the Maine College of Art & Design. Some of her pastimes outside of the studio include scavenging the beaches for sea glass, reading about medieval nuns, and rewatching television shows she’s already seen.
Sacraments of Self: A Search for the Sacred: Incorporating research from poetry, music, philosophy, theology, and history, this thesis investigates the significance of making as a spiritual practice. The three critical themes discussed are as follows: finding contentment in the everyday, expression of devotion, and making as an act of contemplation. The exploration of these three key concepts has led to the development of a studio practice rooted in the pursuit of mystery and recognition of inherent spiritual ignorance.
www.allisonoverpeck.com
Allison Overpeck
Allison Overpeck (born 1997 in Waco, Texas) is a multidisciplinary installation artist whose work explores themes of spirituality, mystery, and materiality. After graduating from Baylor University in 2020 with a Bachelor of Fine Arts in Studio Art with a concentration in painting, she established a studio practice in the Blue Ridge Mountains outside of Boone, North Carolina. In 2021, she relocated to Portland, Maine, to study at the Maine College of Art & Design. Some of her pastimes outside of the studio include scavenging the beaches for sea glass, reading about medieval nuns, and rewatching television shows she’s already seen.
Sacraments of Self: A Search for the Sacred: Incorporating research from poetry, music, philosophy, theology, and history, this thesis investigates the significance of making as a spiritual practice. The three critical themes discussed are as follows: finding contentment in the everyday, expression of devotion, and making as an act of contemplation. The exploration of these three key concepts has led to the development of a studio practice rooted in the pursuit of mystery and recognition of inherent spiritual ignorance.